Michelangelo’s Dream

February 18, 2010

Recently Attended

Last night was the opening of ‘Michelangelo’s Dream’ at The Courtauld Gallery which was truly amazing and focuses on the drawing that Michelangelo did as a ‘show’ work for a young man that he fell in love with, called Tommaso de Cavalieri.

The drawing The Dream – Il sogno is iconic and has not only been replicated a great deal within its own century {1533} but also by many artists who have all copied this drawing. The exhibition shows this, and the copies with a collection of about 15 other drawings by Michelangelo…. it’s the sheer accuracy and depth of emotion at this scale that is breathtaking.

When you look at a reproduction in a book, most if not all are enlarged, some even fill banners and building boards – but what you don’t see, unless you stand in front of the actual work, is the delicacy and the sensitivity of his work which is so, so breathtakingly small, achieved in Red Chalk or Black Chalk.

The exhibition is in the upstairs gallery of Somerset House, and it’s also magical for me to stand in a room that is so historic – and now goes passed unnoticed. The great room which stands in the centre has been captured in oil paintings and engravings and shows the room on Varnishing Day of the Royal Academy’s Summer Picture Hang. The Royal Academy used to be based here BEFORE it was moved to its new Home in Burlington House { where we now call the Royal Academy of Art }

This drawing shows you the room in the 1770’s, the height of Georgian London, and is now chopped up to make more gallery space.

This part of Somerset house is magnificent – and is worth taking in as an experience as you see this exceptional exhibition – It runs until the 16th May and I would suggest a morning trip so you can see the work without the Crowds – you need to get close. www.courtauld.ac.uk

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About timgosling

TIM GOSLING - DIRECTOR Tim graduated from the Central School of Art & Design in 1987 with a BA (Hons.) degree in Theatre Design. His work in theatre included creating set and stage scenes for major West end productions such as Miss Saigon and Starlight Express as well as working as a set designer for Las Vegas shows. In the late 1980s Tim joined David Linley and became a director in 1993. At Linley he was instrumental in developing the company's design style and expanding their bespoke commission over the last 18 years. In 2005 Tim set up his own company, Gosling, giving himself the freedom to design a wider range of furniture and interiors while continuing his working relationships with interior designers world-wide. The company's objective is to create a bespoke service of design and furniture that has style and longevity. His world renowned furniture designs draw inspiration from classical architecture and styles. Each commission begins with the very intimate process of working with the client to ensure the designs reflect their needs and taste. Every piece of furniture is made to the most exacting standards using the finest materials and traditional cabinet-making techniques, and each element of the interiors is addressed with the same care and attention to detail.

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